Ferrars & Fields Magazine 04/24

Ferrars & Fields Mag

Der große Gatsby

Eine queere Lesart vom ‘Großen Gatsby’

Der Große Gats­by von F. Scott Fitzger­ald ist sicher­lich keine Neuent­deck­ung in der weit­en Welt der lit­er­arischen Wun­der­w­erke. Jedoch wirkt die Geschichte meist auf eine sehr ober­fläch­liche Art und Weise, da viele Inter­pre­ta­tio­nen sich an der Liebesgeschichte Gatsby‘s und der Sehn­sucht nach Geld aufhän­gen. Der Glanz der Dinge, die uner­füll­ten Wün­sche nach Liebe… man wird ger­adezu geblendet von der pom­pösen Lebensweise der gold­e­nen Zwanziger. Aber auch unter der ver­gold­e­ten Ober­fläche ist so einiges zu ent­deck­en, wenn man weiß, wo und wie man danach sucht.

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Ferrars & Fields 2023 SPECIAL: ON ENDURANCE/VOM AUSHALTEN

A Sun’s Death in the Ether

"Violence ruptures the sky in half— It shatters every world that’s in the making of a map of light. I fall fast between drops of blood. With precision I cut into my skin and sever the sun from me."

Schnürsenkeltage

Sie achtet darauf, nicht zu stolpern über die Wurzeln, die den Asphalt in ihrer Straße aufgerissen haben, und über die Kantsteine und Schlaglöcher und all die anderen Stolperfallen.

Seduta Artistica n.01: Anika Krbetschek

Intimate free conversation between curator Silvia Russo and artist Anika Krbetschek about mental health, healing, and the disruption of normality in the art world.

Ferrars & Fields Intersectional

Woman’s Grammar in the Dream: When Our Lips Speak Together

“No surface holds. No figure, line, or point remains. No ground subsists. But no abyss, either. Depth, for us, is not a chasm. Without a solid crust, there is no precipice. Our depth is the thickness of our body, our all touching itself. Where top and bottom, inside and outside, ...

The Queerest Place on Earth

Something happened to queerness in the 1990s. Not only did we begin to describe more and more forms of non-normative desire and embodiment as “queer” – with the advent of the internet, queer communities also became digitised. Our knowledge and our intimacy is now unthinkable without vast transatlantic circuits and ...

Ferrars & Fields DIGITAL EXHIBITION

Seduta Artistica n.01: Anika Krbetschek

Intimate free conversation between curator Silvia Russo and artist Anika Krbetschek about mental health, healing, and the disruption of normality in the art world.

Religious Art

Nobody inspected the dangling Marias… None fretted for the 40 different infant Jesuses, threatening to tumble with the mama to the floor.

Ferrars & Fields ESSAYS & OPINIONS

Woman’s Grammar in the Dream: When Our Lips Speak Together

“No surface holds. No figure, line, or point remains. No ground subsists. But no abyss, either. Depth, for us, is not a chasm. Without a solid crust, there is no precipice. Our depth is the thickness of our body, our all touching itself. Where top and bottom, inside and outside, ...

The Queerest Place on Earth

Something happened to queerness in the 1990s. Not only did we begin to describe more and more forms of non-normative desire and embodiment as “queer” – with the advent of the internet, queer communities also became digitised. Our knowledge and our intimacy is now unthinkable without vast transatlantic circuits and ...

Ferrars & Fields PHILOSOPHY & SOCIETY

Woman’s Grammar in the Dream: When Our Lips Speak Together

“No surface holds. No figure, line, or point remains. No ground subsists. But no abyss, either. Depth, for us, is not a chasm. Without a solid crust, there is no precipice. Our depth is the thickness of our body, our all touching itself. Where top and bottom, inside and outside, ...

Imagining Dark Continents

The concept of the sea—extending infinitely everywhere all the time—and of the islands—sovereign worlds which nonetheless affect other such islands—emerges as a world structure which becomes a sanctuary from singularity to all creatures it carries.

Ferrars & Fields LOCAL / BERLIN

2023 Wrapped

In Zahlen und Gefühlen: Der Ferrars & Fields Jahresrückblick 2023.

Religious Art

Nobody inspected the dangling Marias… None fretted for the 40 different infant Jesuses, threatening to tumble with the mama to the floor.

Ferrars & Fields BIPOC

Imagining Dark Continents

The concept of the sea—extending infinitely everywhere all the time—and of the islands—sovereign worlds which nonetheless affect other such islands—emerges as a world structure which becomes a sanctuary from singularity to all creatures it carries.

2023 Wrapped

In Zahlen und Gefühlen: Der Ferrars & Fields Jahresrückblick 2023.

Fleisch & Fragmente III: Das Knie

Unsere Autorin schlägt vor, den Anspruch eines ganzen und/oder ganzheitlichen Körpers fallenzulassen und sich stattdessen einer dezidiert fragmentarischen Betrachtung seiner Einzelteile zu widmen. Dieses Mal geht es um weiche, um knubbelige und um gebeugte Knie, um weibliche Knie, aber auch um die Knie von Harry Potter, Willy Brandt und Alexander ...

Fleisch & Fragmente II: Der Nacken

Unsere Autorin zerlegt den Körper, wie es ihr gefällt, und assoziiert frei irgendwo zwischen Kultur- und persönlicher Geschichte der menschlich-körperlichen Einzelteile. In der heutigen Anatomiestunde ist der Nacken länger als der Hals und von Guillotine bis Smartphone allerlei Gefahren ausgesetzt.

Ferrars & Fields FEUILLETON & MEDIA

Woman’s Grammar in the Dream: When Our Lips Speak Together

“No surface holds. No figure, line, or point remains. No ground subsists. But no abyss, either. Depth, for us, is not a chasm. Without a solid crust, there is no precipice. Our depth is the thickness of our body, our all touching itself. Where top and bottom, inside and outside, ...

Ferrars & Fields Fiction

A Sun’s Death in the Ether

"Violence ruptures the sky in half— It shatters every world that’s in the making of a map of light. I fall fast between drops of blood. With precision I cut into my skin and sever the sun from me."

Schnürsenkeltage

Sie achtet darauf, nicht zu stolpern über die Wurzeln, die den Asphalt in ihrer Straße aufgerissen haben, und über die Kantsteine und Schlaglöcher und all die anderen Stolperfallen.

Halters

In a world gone void, some people literally cannot let go of their trauma—and channel its destructive energy into fighting the good fight, methods and costs be damned.

Join the Family [writers] Mercy Ferrars, Adrien Fields, Ralph Mönius, Ina Raterink, Bianca Ierullo, Martin Bäckert, Mona Schlachtenrodt, Annika Klares, Lisa Kämling, Esther Louise, Hannah Jäger, Hannah Kruge, Ly Le, Sophie Lilian Knote, Benjamin Baumann, Claire Fisher, Lara Shaker, Sandra Reichert, Clara Berlich, Héloise Markert, Lisa Damm [readers] Adrien Fields, Bianca Othmann, Carolin Diefenbach, Daniela Mertens, Lara Helena, Anja Degner, Martin Bäckert, Mercy Ferrars, Clemens Hübner, Macy Ripley, Jan Kabasci, Luke Shiller, Michelle Markau, Martha-Luise Ockert [guests] Carina Spiegelstaub, Iris Antonia Kogler, Jol Rosenberg, Malvón, Yvonne Tunnat, Nora Großmann, Martin König, Imke Felicitas Gerhardt, Hugo Scheubel, Jules van der Linden, Nika Pavot, Zeke Greenwald, Silvia Russo, Noelle Jaene, Izabela Zarebska [UX/UE Design, Publisher, Newsletter] Mercy Ferrars [Social Media] Mercy Ferrars, Héloise Markert, Martha-Luise Ockert [Crowdfunding] Lara Helena, Luke Shiller, Jan Kabasci, Martha-Luise Ockert CREATED BY Mercy Ferrars & Adrien Fields

Open Calls // Submissions // Join the family //

We have an open call regarding essays fitting for our publication. We accept guest submissions. We have an open call for our digital exhibition. We are accepting topic-oriented submissions for Black History Month in February, Women's History Month in March and Pride Month in June. Find more information below. We especially want to encourage FLINTA* and BIPoC writers to join our team!

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FERRARS
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MAGAZINE

Created in 2019 by Mercy Ferrars and Adrien Fields, we had a vision to impact culture by sharing our voices. At FFMag, international voices have since spoken up on the struggle(s) in the system while also curating the beauty of the arts.

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